An analysis of william shakespeares twelfth night
Her tone is not as richly poetic or filled with extravagant imagery as Orsino's; her words are more plain and straightforward, denoting grief but also her sensibility.
Those who were set out pursuing for love got it for the most part.
Twelfth night shmoop
In this scene, Viola bears her optimistic and gentle nature; though she fears that she has lost her brother forever, yet she hopes that he is still alive, and tries her best not to succumb to her grief. Sir Toby and Sir Andrew have a good number of such farcical exchanges; Sir Andrew does not quite get Maria's metaphor of her breasts to a butter-bar, and Maria must explain her statement as being "dry," which Sir Andrew again misunderstands. But he impulsively decides that he has heard enough, and after sending the musicians away, he expounds on the subject of love. At the end of the comedy, the duke, significantly, will shift his love from the Lady Olivia to Viola within a moment; thus we should not be disturbed by this quick change. For example in one of the episodes of My Wife and Kids when a girl called Claire tells her dad that there will be photograph day in school. The same could not be said for Malvolio who was in love with Olivia. On the day of the school photograph when she woke up, her right cheek was swollen-much bigger than the other Orsino recalls the moment when he fell in love with Olivia by saying that he thought she "purged the air of pestilence," making an allusion to the Elizabethan belief that illnesses were caused by bad air l. We expect him to become the centre of humour; we know that in the business of comedy, a very puritanical and rather joyless figure is likely to receive comedic humiliation; but in this case the humiliation that Malvolio gets, seems protracted and harsh
Orsino replies that he would like to hunt — but he would like to hunt the lovely Olivia, to whom he has sent another of his pages, Valentine, as an emissary. One monolog, in particular, gives the readers a hint or an impression of what goes on in the play itself. As it happens, the Captain is from Illyria, and tells Viola of Count Orsino, and of his love for Lady Olivia; the Captain also mentions Olivia's recent loss of both her father and her brother, and Viola, having lost her brother as well, commiserates with Olivia's situation.
Twelfth night short summary
Sir Toby owns up to his pride in an exchange with Maria; he does not want to appear any more grand than he actually is, and is against any kind of false shows. Unwittingly, Orsino states the truth about Viola's disguise, without being aware of it. She is not quite as involved in wordplay as Feste or Maria, preferring not to quibble about less significant facts; this is perfectly displayed in her conversation with Viola, in which Olivia prefers to address the more important aspects of the situation, and diffuse Viola's argument as best she can. For what says Quinapalus? Readers in our current world, and especially women, are encouraged to be self-assertive in demand for equal treatment in our society. The characters think Sebastian is Cesario and treat him accordingly, while Sebastian has no idea why he is being treated this way. Maria also objects to one of Sir Toby's drinking buddies, Sir Andrew Aguecheek, a rather foolish man who Sir Toby has brought as a potential suitor to Olivia. Sir Andrew takes this in a good-natured way, giving her his hand to shake. Because William Shakespeare lived more than years ago, many records on him are lost or quite possibly never existed at all. As a result of their environment and immediate circumstances, men are forced into misperceptions. Feste later compares the duke's love to an opal, a gem which constantly changes its color according to the nature of the light. Before meeting Viola, Orsino speaks poetically but somewhat artificially about his love for Olivia; after he meets Viola, he gets right to the point, disclosing to her the extent of his affections, and his plans to woo her.
But, Viola does her best to hope that her brother is not dead; "perchance," she says to the Captain, "he is not drowned" l. In fact, this is the reason why he will later use Viola Cesario to do his courting for him. Scene 4: Viola has now disguised herself as a boy, Cesario, and has been taken into the service of Count Orsino.
Viola chooses to be presented to Orsino as a eunuch so that her high-pitched voice does not seem odd, and so that she will seem less threatening to Orsino. Sir Toby and Sir Andrew cannot seem to understand the real meanings of one another, or of Maria either; the confusion begins when Sir Toby attempts to introduce Sir Andrew to Maria.
Although Malvolio's vanity, arrogance, and self-deceptive qualities are not on clear display in this act, Olivia pegs them down, and her judgment of him does prove correct.
Shakespeare was born in April of in the town Stratford-upon-Avon. Viola tries to make Orsino's suit, though Olivia counters this with elusive and witty remarks; Olivia begins to show interest in Viola as Cesario in this scene, and still insists that she cannot love Orsino. Orsino was the name of the prominent dukes of Bracciano, who presided over an area in Tuscany; names like Curio, ValentineViola, Maria, and Antonio are Italian in origin as well.
The language that Orsino uses in this first scene may be full of artifice; but it also indicates a capacity for strong feeling and great vitality.
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